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.For more on this image refer to page 23.The Limbs 63 your image.If your model has trouble envisioning this, show her an imageof what you mean.Then, let her try a few poses in front of the dressingroom mirror, looking for these tendons and identifying the poses that makethem appear.When a model is lying down and her upper leg is bent down in front ofBELOW A simple pose is to have you modelher lower leg, the upper thigh sometimes looks too thick.Placing a hand toresting on her hands and knees.As here, thisfollow the thigh will reduce this appearance.I also try to cast a shadow onworks great with a model in swimwear.In thisimage, the hands-and-knees pose was modifiedthis area.By producing a natural shadow from the middle of the thighby having the model reach out her arms anddown, running from the upper hip to the knee and back to the backside oflean down.This naturally props her buttockshigher for a provocative look.the thigh, I can slim the look of the thighs and subdue the hand, which willbe entirely visible in this pose.FACING PAGE In almost all cases, your model ships should be at an angle to the camera.ThisHips.Unless your subject is very trim, in almost all upright poses (stand-is the slimmest view of the body.In this image,ing, kneeling, seated, etc.) you should turn her hips slightly away from theyou can see that it can also help to show theshape of the model s backside.Note that, evencamera.This will slim the area for a more flattering image.Use the samein this standing pose, one leg is still bent.technique if you want to capture more of the model s backside in yourOtherwise, the pose would look very stiff andimage.static.64 Rolando Gomez s Glamour Photography FACING PAGE Model Hillary was photographedToenails.Don t ignore the toenails especially if your subject will bewith one light: a Hensel Integra 500 Pro mono-barefoot or wear open-toed sandals or shoes.I recommend your subject slight fitted with a Hensel beauty dish.The cen-ter of the dish was removed and fitted with atoenails be painted the same color as her fingernails.At the very least, they7-inch, 20-degree grid.(Olympus E-500 camerashould be neatly manicured.Even if your subject doesn t plan on goingwith an Olympus Zuiko digital 14 45mm super-1wide zoom [eff.70mm]; ISO 1000; /160 second barefoot, I still recommend a full pedicure before a shoot.You just nevershutter speed at f/2.8; white balance 6000K)know how the session will end up and it s always best to be prepared.BELOW Here, the slot machine and projectiontelevision provided interesting ambient light, soArms and HandsI dragged the shutter to capture it.Note theArms.As with the legs, bending the arms usually makes them look theirpose; separating the arms from the torso cre-ates a very slim line.(Olympus E-500 camerabest.Keeping the arms separate from the torso also creates a slimmer look,with an Olympus Zuiko digital 50mm lens [eff.as it prevents the arms and torso from looking like one large mass.For many1100mm]; ISO 100; /20 second shutter speed atf/2.8; white balance 6000K) subjects, the upper arm can appear unattractively large, so consider using aThe Limbs 67 shadow to help slim this area.Long sleeves, particularly in a dark tone, willalso help to reduce the visual impact of this area.Hands.While some models have beautiful hands, some have less attrac-While some models havetive ones (veiny hands in particular can present a problem that may need tobeautiful hands, some havebe addressed in postproduction).The following are some considerations tobear in mind.less attractive ones.1.Depending on the angle from which you photograph the model,the hands can appear as large or larger than the face.This abnor-mal appearance will not flatter your subject.2.If the hands are held open so the palms are seen, especially intheir entirety, you get a Stop! Don t look at me! appearance.Alan Brzozowski used a Hensel Integra 500Pro monolight fitted with a large ChimeraSuper Pro Plus softbox to illuminate Devon.(Canon Rebel XT camera; 47mm focal length; ISO1100; /125 second shutter speed at f/9.0) Lisa B [ Pobierz całość w formacie PDF ]
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.For more on this image refer to page 23.The Limbs 63 your image.If your model has trouble envisioning this, show her an imageof what you mean.Then, let her try a few poses in front of the dressingroom mirror, looking for these tendons and identifying the poses that makethem appear.When a model is lying down and her upper leg is bent down in front ofBELOW A simple pose is to have you modelher lower leg, the upper thigh sometimes looks too thick.Placing a hand toresting on her hands and knees.As here, thisfollow the thigh will reduce this appearance.I also try to cast a shadow onworks great with a model in swimwear.In thisimage, the hands-and-knees pose was modifiedthis area.By producing a natural shadow from the middle of the thighby having the model reach out her arms anddown, running from the upper hip to the knee and back to the backside oflean down.This naturally props her buttockshigher for a provocative look.the thigh, I can slim the look of the thighs and subdue the hand, which willbe entirely visible in this pose.FACING PAGE In almost all cases, your model ships should be at an angle to the camera.ThisHips.Unless your subject is very trim, in almost all upright poses (stand-is the slimmest view of the body.In this image,ing, kneeling, seated, etc.) you should turn her hips slightly away from theyou can see that it can also help to show theshape of the model s backside.Note that, evencamera.This will slim the area for a more flattering image.Use the samein this standing pose, one leg is still bent.technique if you want to capture more of the model s backside in yourOtherwise, the pose would look very stiff andimage.static.64 Rolando Gomez s Glamour Photography FACING PAGE Model Hillary was photographedToenails.Don t ignore the toenails especially if your subject will bewith one light: a Hensel Integra 500 Pro mono-barefoot or wear open-toed sandals or shoes.I recommend your subject slight fitted with a Hensel beauty dish.The cen-ter of the dish was removed and fitted with atoenails be painted the same color as her fingernails.At the very least, they7-inch, 20-degree grid.(Olympus E-500 camerashould be neatly manicured.Even if your subject doesn t plan on goingwith an Olympus Zuiko digital 14 45mm super-1wide zoom [eff.70mm]; ISO 1000; /160 second barefoot, I still recommend a full pedicure before a shoot.You just nevershutter speed at f/2.8; white balance 6000K)know how the session will end up and it s always best to be prepared.BELOW Here, the slot machine and projectiontelevision provided interesting ambient light, soArms and HandsI dragged the shutter to capture it.Note theArms.As with the legs, bending the arms usually makes them look theirpose; separating the arms from the torso cre-ates a very slim line.(Olympus E-500 camerabest.Keeping the arms separate from the torso also creates a slimmer look,with an Olympus Zuiko digital 50mm lens [eff.as it prevents the arms and torso from looking like one large mass.For many1100mm]; ISO 100; /20 second shutter speed atf/2.8; white balance 6000K) subjects, the upper arm can appear unattractively large, so consider using aThe Limbs 67 shadow to help slim this area.Long sleeves, particularly in a dark tone, willalso help to reduce the visual impact of this area.Hands.While some models have beautiful hands, some have less attrac-While some models havetive ones (veiny hands in particular can present a problem that may need tobeautiful hands, some havebe addressed in postproduction).The following are some considerations tobear in mind.less attractive ones.1.Depending on the angle from which you photograph the model,the hands can appear as large or larger than the face.This abnor-mal appearance will not flatter your subject.2.If the hands are held open so the palms are seen, especially intheir entirety, you get a Stop! Don t look at me! appearance.Alan Brzozowski used a Hensel Integra 500Pro monolight fitted with a large ChimeraSuper Pro Plus softbox to illuminate Devon.(Canon Rebel XT camera; 47mm focal length; ISO1100; /125 second shutter speed at f/9.0) Lisa B [ Pobierz całość w formacie PDF ]